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Poem

John Forbes

Death, An Ode

Death, An Ode

Death, An Ode

Death, you’re more successful than America,
even if we don’t choose to join you, we do.
I’ve just become aware of this conscription
where no one’s marble doesn’t come up;
no use carving your name on a tree, exchanging vows
or not treading on the cracks for luck
where there’s no statistical anomalies at all
& you know not the day nor the hour, or even if you do
timor mortis conturbat me. No doubt we’d
think this in a plunging jet & the black box recorder
would note each individual, unavailing scream
but what gets me is how compulsory it is—
‘he never was a joiner’ they wrote on his tomb.
At least bingeing becomes heroic & I can see
why the Victorians
so loved drawn out death-bed scenes:
huddled before our beautiful century, they knew
what first night nerves were all about.
Close

Death, An Ode

Death, you’re more successful than America,
even if we don’t choose to join you, we do.
I’ve just become aware of this conscription
where no one’s marble doesn’t come up;
no use carving your name on a tree, exchanging vows
or not treading on the cracks for luck
where there’s no statistical anomalies at all
& you know not the day nor the hour, or even if you do
timor mortis conturbat me. No doubt we’d
think this in a plunging jet & the black box recorder
would note each individual, unavailing scream
but what gets me is how compulsory it is—
‘he never was a joiner’ they wrote on his tomb.
At least bingeing becomes heroic & I can see
why the Victorians
so loved drawn out death-bed scenes:
huddled before our beautiful century, they knew
what first night nerves were all about.

Death, An Ode

Sponsors
Gemeente Rotterdam
Nederlands Letterenfonds
Stichting Van Beuningen Peterich-fonds
Prins Bernhard cultuurfonds
Lira fonds
Versopolis
J.E. Jurriaanse
Gefinancierd door de Europese Unie
Elise Mathilde Fonds
Stichting Verzameling van Wijngaarden-Boot
Veerhuis
VDM
Partners
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