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Mimi Khalvati

On a Line from Forough Farrokhzad

On a Line from Forough Farrokhzad

On a Line from Forough Farrokhzad

It had rained that day. It had primed a world
with gold, pure gold, wheatfield, stubble and hill.
It had limned the hills as a painter would,
an amateur painter, but the hills were real.

It had painted a village lemon and straw,
all shadow and angles, cockerel, goats and sheep.
It had scattered their noises, bleats and blahs,
raising a cloud, a white dog chasing a jeep.

It had travelled through amber, ochre, dust
and dust the premise of everything gold,
dust the promise of green. Green there was
but in the face of a sun no leaf could shield.

It had rained that day. It was previous,
previous as wind to seed. O wild seed,
as these words proved. ‘The wind will carry us’
bad ma ra khahad bord – and it did.



Reproduced by kind permission of the author and Carcanet.
Mimi Khalvati

Mimi Khalvati

(Iran, 1944)

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On a Line from Forough Farrokhzad

It had rained that day. It had primed a world
with gold, pure gold, wheatfield, stubble and hill.
It had limned the hills as a painter would,
an amateur painter, but the hills were real.

It had painted a village lemon and straw,
all shadow and angles, cockerel, goats and sheep.
It had scattered their noises, bleats and blahs,
raising a cloud, a white dog chasing a jeep.

It had travelled through amber, ochre, dust
and dust the premise of everything gold,
dust the promise of green. Green there was
but in the face of a sun no leaf could shield.

It had rained that day. It was previous,
previous as wind to seed. O wild seed,
as these words proved. ‘The wind will carry us’
bad ma ra khahad bord – and it did.



Reproduced by kind permission of the author and Carcanet.

On a Line from Forough Farrokhzad

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