Meir Wieseltier

After studying at Hebrew University, Meir Wieseltier became the central figure in a group of artists known as the Tel Aviv Poets in the early 1960s. Wieseltier was co-founder and co-editor of several issues of the literary magazine Siman Qri'a, and served as poetry editor at the Am Oved publishing house. He has translated English, French and Russian poetry into Hebrew, as well as four of Shakespeare's tragedies, and novels by Virginia Woolf, Charles Dickens, E.M. Forster and Malcolm Lowry. His own books of poetry now number 13, and a collection of his poems, translated into English by the American-Israeli poet Shirley Kaufman, has just appeared in the United States. Individual poems have been published in Arabic, Chinese, Czech, Dutch, English, Estonian, French, German, Greek, Hungarian, Italian, Japanese, Polish, Portuguese, Russian, Serbo-Croatian, Spanish, Vietnamese, and Ukrainian. Wieseltier has won many literary awards, including the Israel Prize, the country's highest honor for lifetime achievement, “awarded in 2000 by the Israeli establishment to its most anti-establishment poet,” as Kaufman puts it.

Wieseltier has consistently taken a nonconformist literary stance. His passion for Tel Aviv plays an important role in his writing and expresses itself in a love-hate relationship. Often employing ironic imagery and a sarcastic, despairing tone, he demands awareness of life's unavoidably painful realities, and urges full emotional and philosophical involvement. Wieseltier places himself at the heart of his work, often writing in the first person, and takes on the role of moralist, searching for values in the midst of chaos. For Wieseltier, poetry is both oppressive (“a lust for lies”) and life-giving: inherently futile, it is, nonetheless, the alternative to surrender and mediocrity. Wieseltier has written powerful poems of social and political protest in Israel, poems that are painfully timeless. His voice is alternately anarchic and involved, angry and caring, trenchant and lyric.


Shirim Itiyim (Slow poems), Hakibbutz Hameukhad, 2000.
Maxsan (Storage), Hakibbutz Hameukhad, 1995.
Mikhtavim Ve-shirim Axerim (Letters and other poems), Am Oved, 1986.
Yi Yevani (Greek island), Hakibbutz Hameukhad, 1985.
Qitsur Shnot Hashishim (The concise sixties), Hakibbutz Hameukhad, 1984.
Motsa El Hayam (Exit to the sea), Hakibbutz Hameukhad, 1981.
Pnim Vaxuts (Interior and exterior), Hakibbutz Hameukhad, 1977.
Davar Optimi, Asiyat shirim (Something optimistic, the making of poems), Mif’alim Universita’iyim Lehotsa’a La’or, 1976.
Qax (Take), Mif’alim Universita’iyim Lehotsa’a La’or, 1973.
Me’a Shirim (One hundred poems), Gog, 1969.
Pereq Alef Pereq Bet (Chapter A chapter B), Akhshav, 1967.
Tiyul B’Iona (A walk in Iona), Kiltartan, 1963.

LINKS in English
Information concerning The Flower of Anarchy, selected poems of Meir Wieseltier translated into English by Shirley Kaufman
Wieseltier's poem 'Far From The Flag Parade' translated into English by Shirley Kaufman
Wieseltier's poem 'Sonnet: Against Making Blood Speak Out' translated into English by Shirley Kaufman