Who we are
Who we are
At Poetry International we are crazy about poetry, whether from the Netherlands or the world at large. This is why everything we do is geared towards sharing poetry with audiences that are as expansive and diverse as possible, and why we are dedicated to strengthening the exchange between people who write poetry, people who translate poetry, and people who enjoy poetry, both on stage and online.
Poetry International was born out of the Poetry International Festival, which has been bringing the absolute best international poets to appreciative Rotterdam crowds since 1970. The annual festival each June is an important activity, along with the Poetry Archives online, which collects and showcases poets and poems from around the world.
C. Buddingh’ Prize
Since 1988, Poetry International has awarded the yearly C. Buddingh’ Prize for the best Dutch-language poetry debut during the Poetry International Festival. We believe one of our most important tasks is also to showcase the strength, quality, and diversity of Dutch-language poetry to readers abroad. Both Poetry Archives’ internationally edited online poetry collection and our strong ties to festivals the world over serve as key platforms in that regard.
Poet in residence
Every year Poetry International offers a writing residency to a poet who, due to economic, social or political reasons, is threatened or limited in their profession as a writer in their home country. For six weeks in April and May the poet in residence is offered time and space to write, to explore the city and meet its people and communities, and will be introduced to relevant literary or cultural organisations and events in Rotterdam, The Netherlands and Belgium. As part of the residency the poet takes part in the Poetry International Festival and Poetry International publishes a publication of poems in original language with the Dutch and English translation.
Poetry in schools: Spraakzaam Rotterdam (formerly known as Louder Tha a Bomb)
In the run up to the festival, Poetry International organizes spoken word workshops for students in secondary education, sending spoken-word coaches from Rotterdam into schools for writing and performance classes that culminate in a thrilling poetry slam finale during the festival.
Poetry Academy: Reading, writing, performing, translating poetry
Since 2017, Poetry International has its own educational arm. Poetry Academy offers to people of all ages courses, workshops, and masterclasses in writing, reading, and performing poetry. During the festival, the Academy presents workshops led by the festival’s translators in which budding translators get to work with the poets in question!
Het gedicht is een bericht – The poem is the message
Since 1988, the municipal road sweepers and garbage trucks of Rotterdam zip around with lines of poetry on their flanks. For over 30 years now, Poetry International and Rotterdam’s municipality have paired the festival’s poetry with the city’s refuse under the banner of “Het gedicht is een bericht” (the poem is the message, a line by local legend Jules Deelder), thus spreading poetry from countries all over the world to the farthest corners of the city.
Poetry International adheres to the Cultural Governance Code, the Code Cultural Diversity, and the Fair Practice Code.
Because of Poetry International’s international and multidisciplinary position, its internal organisation, board and audiences are diverse. Poetry also regularly develops activities aimed specifically at making the cultural diversity within the world of poetry visible. In addition to this ongoing attention to diversity in our programmes and choice of poets and artists, the Code Cultural Diversity has led to the setting of new goals and actions with regard to diversity among its permanent, temporary staff and board members.
Fair Practice Code
Poetry International is a member of Kunsten '92, VLAM21 (national literary organisations) and the Rotterdam Directeurenoverleg. All organisations which stand up for the interests of organisations in art, culture and heritage and aim to strengthen the labour market position of artists and workers in the creative sector. The Fair Practice Code is therefore taken as the starting point for rewarding poets and other artists for their work at or with Poetry as well as for the employment conditions of its permanent staff.
Poetry’s articles of association and regulations are based on the Code Cultural Governance, as does the yearly self-evaluation for its Board.