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Michael Coady

Letting Go

Letting Go

Letting Go

I love the abandon
of abandoned things

the harmonium surrendering
in a churchyard in Aherlow,
the hearse resigned to nettles
behind a pub in Carna,
the tin dancehall possessed
by convolvulus in Kerry,
the living room that hosts
a tree in south Kilkenny.

I sense a rapture
in deserted things

washed-out circus posters
derelict on gables,
lush forgotten sidings
of country railway stations,
bat droppings profligate
on pew and font and lectern,
the wedding dress a dog
has nosed from a dustbin. 

I love the openness
of things no longer viable,
I sense their shameless
slow unbuttoning:
the implicit nakedness
there for the taking,
the surrender to the dance
of breaking and creating.
Michael Coady

Michael Coady

(Ierland, 1939)

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Letting Go

I love the abandon
of abandoned things

the harmonium surrendering
in a churchyard in Aherlow,
the hearse resigned to nettles
behind a pub in Carna,
the tin dancehall possessed
by convolvulus in Kerry,
the living room that hosts
a tree in south Kilkenny.

I sense a rapture
in deserted things

washed-out circus posters
derelict on gables,
lush forgotten sidings
of country railway stations,
bat droppings profligate
on pew and font and lectern,
the wedding dress a dog
has nosed from a dustbin. 

I love the openness
of things no longer viable,
I sense their shameless
slow unbuttoning:
the implicit nakedness
there for the taking,
the surrender to the dance
of breaking and creating.

Letting Go

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Gemeente Rotterdam
Nederlands Letterenfonds
Stichting Van Beuningen Peterich-fonds
Prins Bernhard cultuurfonds
Lira fonds
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